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Wednesday, February 29, 2012

Free Speech TV to Launch on Basic Cable

Burlington Telecom, the publicly owned cable, internet and phone utility in my hometown, will add Free Speech TV to its basic cable line up on March 1. It will become Channel 122 for thousands of Vermont cable subscribers. Although FSTV already reaches millions via satellite and DIRECTV, this will be its first US appearance on a basic cable line up
    It wasn't quite a done deal until today, when a Kickstarter fundraising campaign finished raising almost $3,000 in less than a week ...


The video above was produced by Friends of Free Speech TV, a Burlington area group organized to make FSTV's launch happen. It include clips from the channel. Please take a look.... 
    To insure carriage on the basic tier received by all cable subscribers, FSTV and its supporters agreed to raise $10,000 to cover some start-up costs -- by the end of February! 
    A Friends of Free Speech TV group stepped up, a $5,000 match was offered, and the rest was raised in the last days of the month. If the goal wasn't reached, the match would have been lost, possibly jeopardizing the basic cable deal.

FSTV is an essential alternative on television. It airs Democracy Now! three times daily, and has coverage of cutting-edge current affairs like the Occupy movement and many independently-produced documentaries. A daily talk show hosted by Thom Hartmann features “Brunch with Bernie,” a Friday noon discussion and call-in segment with Vermont's Independent US senator.
    The mission of FSTV is to “inspire viewers to become civically engaged to build a more just, equitable, and sustainable society,” says Greg Epler-Wood, a former member of BT’s Community Advisory Council and member of Friends of FSTV.
    It was a race to the finish. But we made it! Congratulations and thanks to all who took part.
UPDATED 2/29/2012

Tuesday, February 28, 2012

Burlington Beat: Changes at the Top

Recent stories from VTDigger.org (plus drugs & dissent)

On March 6  residents of Vermont's largest city will select a new mayor. After the vote, however, some department heads in Burlington are also expected to change. Is this job creation or creative destruction, or perhaps part of a more epochal changing of the guard. In any case, here's another installment of my campaign coverage...

Campaign Notebook: 
Weinberger and Hines try to be different
     Feb. 20: If elections were decided by the number and quality of plans a candidate produced Miro Weinberger would be way out in front. Since last September the Democrat has released a five-point financial plan, a rescue plan for Centennial Field, leadership and downtown housing plans, and strategies for improving education. Last week, at a press conference with local entrepreneurs held at Union Station plaza near the waterfront, he added another one – a development plan to “jump start” the city’s economy. Continue reading

     Two Burlington schools will also have new CEOs soon…

UVM trustees choose Minnesota provost as next president
Tom Sullivan says Vermont is a good fit.
     Feb. 22: The University of Vermont announced the selection of legal scholar E. Thomas Sullivan as its 26th president on Wednesday. Sullivan, who has been senior vice president for academic affairs and provost at the University of Minnesota for the last eight years, will assume his new post on July 15 and receive more than $440,000 annually for the next three years. Continue reading
     A new president is also being sought for Burlington College, after the abrupt departure of Jane Sanders last September. If you know the right person to run a small college on the brink of something (or if that’s you), go to BC Job Postings

     The race for Burlington mayor took more unexpected turns last week. The local Progressive Party finally decided not to endorse a candidate, but one of its two City Councilors is backing Republican Kurt Wright. Meanwhile, there are unanswered questions about local finances, especially whether a ballot item to fund future development projects will be defeated by rumors and the delay of a state audit.

Council President requests pre-election release of TIF audit
     Feb. 26: Most members of the Burlington City Council claim that they want the ballot item establishing a new tax increment finance (TIF) district covering much of downtown to be approved by voters on March 6. But if it fails Council President Bill Keogh knows where to place the blame: on the shadow of doubt and “erroneous conclusions” that emerged from a TIF audit of Milton.
     That is why, three weeks ago, Keogh requested fast-track release of Burlington’s waterfront TIF audit by State Auditor Tom Salmon — in hope that the results would be available prior to the vote. Continue reading 

Mind Games: Drugging Dissent
Dealing with various political and institutional leaders as a journalist these days, I've been reading up on how they operate in The Dictator's Handbook. My objective is to understand how best to "help" them reveal themselves and their strategies. But this week's most revealing insights so far have come from Bruce E. Levine, a clinical psychologist who recently published an essay on Alternet with the provocative title, Would We Have Drugged Up Einstein? How Anti-Authoritarianism Is Deemed a Mental Health Problem.
     Levine says that drugs are marketed specifically to "cure" people who question authoritarianism. Makes perfect sense. This piece connects some important dots. A few of my favorite lines:
     I have found that most psychologists, psychiatrists and other mental health professionals are not only extraordinarily compliant with authorities but also unaware of the magnitude of their obedience. And it also has become clear to me that the anti-authoritarianism of their patients creates enormous anxiety for these professionals, and their anxiety fuels diagnoses and treatments.
     And his conclusion:
     In every generation there will be authoritarians and anti-authoritarians. While it is unusual in American history for anti-authoritarians to take the kind of effective action that inspires others to successfully revolt, every once in a while a Tom Paine, Crazy Horse or Malcolm X come along. So authoritarians financially marginalize those who buck the system, they criminalize anti-authoritarianism, they psychopathologize anti-authoritarians, and they market drugs for their “cure.”
                          BUY MAVERICK BOOKS *                                   
BIG LIES: How our corporate overlords, politicians 
and media establishment warp reality and undermine democracy

Monday, February 27, 2012

MOMENTUM II Launch & Casting the President

(unreleased 2008 poster)
BY EUGENE MICHAEL SCRIBNER
FANTASYWORKS/FIRST LOOK MOMENTUM II
     A highly ambitious Congresswoman (Michelle Pfeiffer), a tough-as-nails ex-warrior (Laurence Fishburne), and a charismatic young turk (Armie Hammer) are fighting for the presidential nomination. 
     That's the premise in Momentum II, a better-than-the-real-thing political thriller that answers the question: Just how far will candidates (and their families) go to get elected?
     On the heels of the Oscars comes announcement of the next presidential blockbuster, intended for release this summer. Here’s the basic story: Fishburne (as General Fred “the fox” Oxhart) has rescued POWs being held in Iran, but is falsely smeared as a war profiteer. Meanwhile, Michelle (Christine Norris Nichols) receives a sympathy bump after her plane almost goes down, while Armie (tycoon Nathan B. Crane) mobilizes the youth vote with rousing stump speeches about change. 
     But neither of the candidates – could these be stand-ins for CNN, Fox and NBC? – has enough delegates to secure the nomination, and Michelle’s dad, Gene Hackman (Ted Nichols), has a secret plan to win the White House. It's dream casting, courtesy of FantasyWorks, which has been working on the sequel since 2008.*
     Cut to the convention, where the tension reaches a fever pitch. Deeply offended by the attacks on his integrity Fishburne has doubts about whether to stay in the race. But he can’t decide whether to throw his support to Pfeiffer, whose bitter style bugs him, or Hammer, whom he blames for the smear and considers a undisciplined novice. 
     At a private meeting with the boy wonder Larry’s concerns deepen when Armie, who is literally armed with Internet tracking evidence, accuses Michelle’s camp of circulating the rumors. If the convention deadlocks Armie threatens to go public with the truth, even if it destroys the party’s chances of victory.
     The delegates are about to vote when the networks report that Michelle’s plane may actually have been sabotaged. Pandemonium engulfs the convention hall. Hackman immediately goes on TV, blaming the Iranians and suggesting that it may have been retaliation for Fishburne’s commando mission. He’s setting the stage for something even bigger: Larry’s assassination on live TV.
     But Armie’s cyber-snoops have been listening, and record Hackman meeting with his Chinese contact to green light the execution.
     Armed now with actual facts, Hammer confronts Michelle. At first she refuses to believe it, despite the video surveillance. But when she goes to Hackman he tells her to grow up and accept reality. “Politics ain’t beanbag,” he snaps. Admittedly, the writing is sometimes lame, just like real life. Anyway, Hackman is still bitter about his own fall from grace, despite the fact that the stories about his bizarre sexual practices were actually true.
     Pfeiffer tries to warn Fishburne, but the wheels are in motion and he narrowly escapes being shot during a press conference. Think 24. As father and daughter watch the mayhem on TV, she discovers that dad orchestrated her own near-death experience – and may even be behind her husband’s demise. He was, after all, in the way of Michelle’s rise. But there’s no time to apologize. Hackman knows that Fishburne will be coming for him and escapes in his private jet.
     The voting proceeds – until Michelle sends word that she’s withdrawing from the race. Her backers are furious until she delivers a Nixon-like farewell about getting beyond hate and not allowing yourself be used. The next night Hammer delivers his acceptance speech, asking the delegates to choose Fishburne as his running mate. Armie has realized that making change means more than giving great rhetoric.
     Four months later Armie -- an obvious stand-in for the new "masters of the universe" like Mark Zuckerberg -- wins the race. Alone in his mansion, Hackman watches the returns. Outside, two assassins infiltrate the property. Realizing he’s toast, Gene has a drink and looks at a scrapbook of better days with his daughter. 
     At the victory party Armie hoists his running mate’s arm for the traditional victory photo. A single gunshot. And Larry flashes a smile that says “mission accomplished.” Snap! And fade out.
     Fishburne also delivers a catch phrase. During his showdown with Armie, he answers the threat of candor with this: “The truth? Boo-coo inconvenient.”
BONUS: Casting the next chapter
     Momentum II raises the question of just what it takes to be president. As it stands, the job basically revolves around persuading mass audiences to believe whatever you say – regardless of what you know or what is true – and making a series of dubious plot twists credible. Electability is certainly important, but believability is what makes you electable.
   Considering all that, actors appear to have the edge and we might be better off putting one of them, rather than some less-than-convincing politician, in the White House. We’ve already had an actor in the role, Ronald Reagan, who certainly knew how to sustain audience appeal and sell almost anything – from Borax to Star Wars. 
    And for a while we had an actor in the 2008 race, Fred Thompson. He had even played a president, although it was Ulysses Grant in Bury My Heart at Wounded Knee. But Thompson's problem was that he couldn’t stick with the script, and also seemed less than committed to the part.
    For Momentum III: After Judgement Day -- not to mention the presidency itself -- an actor who has already played a fictional president may be the best choice. That would provide experience dealing with a crisis that has not happened yet. Is that leadership, instinct or just quick reflexes? Who knows. But Bill Pullman did save us from an alien invasion in Independence Day, and Harrison Ford faced off terrorists in Air Force One. Those were terrifying times. Or how about John Travolta? He played a fictional Bill Clinton and can actually fly a plane.
     Martin Sheen may be destined for the role. In The Dead Zone he played a presidential candidate whom Christopher Walken foresaw blowing up the planet. Yet years later Sheen was back as the most popular president in TV history on The West Wing. The man definitely has learned from “experience.” He hasn't rejected it, but is awaiting a draft.
     Other strong prospects, all of whom have actually played President at some point, include Sam Waterston, Jimmy Smits, Alan Alda, Tom Selleck, William Petersen, Tim Robbins, Michael Douglas, Rip Torn, Robert Duval, Michael Keaton, James Brolin, Billy Bob Thornton, James Crowley, the Quaid brothers, Jeff and Beau Bridges, even Kris Kristofferson.
     Some on this list are well past their box office sales date. But it does include a decent starting lineup, and we can build on that. Send suggestions to Maverick Media, which is handling the casting for FantasyWorks and Momentum Production's Project Acting Chief (MomPAC). 
     How about a Black president? Try James Earl Jones, Morgan Freeman, Chris Rock or Dennis Haysbert. Anyway you slice it, we’d be in good hands. Sorry about the lame Allstate plug.
     The supply of women candidates is somewhat limited -- but growing. Julianne Moore is about to almost crash the glass ceiling as Sarah Palin in HBO's new release, Game Change. We should also count Meryl Streep, who just nailed an Oscar as nailed Margaret Thatcher in The Iron Lady -- despite a flawed script.  
     But let's not forget that Geena Davis kicked ass years ago on Commander in Chief – and won a Golden Globe “endorsement” for Best Actress. Glenn Close, Patty Duke, Patricia Wettig … they all have relevant role experience, plus the needed acting chops. We like them, they’ve been vetted at the box office, and they are ready to work.
     Think of it this way: The Presidency has become a renewable contract to perform on the biggest stage of all, and the role calls for star quality, basic believability, a gift for conveying compassion and rapport, plus an instinct for improvisation and adapting to public taste. If you think that's you, auditions are still being held.
     Restricting the field to governors, senators and other political professionals clearly has not worked out. The best they can do is lame guest shots on SNL and The Daily Show. And what do they know about building a fan base, staying in character and seducing the camera?
     We say: It's time to try someone who can at least handle the part! 
     Just saying. But that would be a change.
ORIGINALLY DEVELOPED 2008/FW/MM/MOMENTUMII
* 2/26/12 Press Release / Poster: Momentum II background  

Sunday, February 26, 2012

MOMENTUM II: A Presidential Death Match

Coming soon! FIRST LOOK
FOR IMMEDIATE RELEASE: MOMENTUM II 
CONTACT: FANTASYWORKS LLC
Presidents have long been the focus of bio-pictures and, to a lesser extent, TV sit-coms. In recent times, however, the race to be “the decider” has become a common theme in more imaginative storytelling. 
    On the tube, the plots have often been dramatic; Martin Sheen fighting for a second term on The West Wing or Dennis Haysbert narrowly avoiding assassination on 24 come to mind. In 2008 HBO took on the 2000 Bush-Gore Death Match in Recount. Next month not-TV will release Game Change, a TV translation of the political bestseller about the 2008 race and, for cultural train-wreck fans, the emergence of Sarah Palin.
     Movie makers often tend toward comedy. Released in 1997, Barry Levinson’s Wag the Dog was prescient in its dark comedy premise that a president facing scandal might resort to staging a phony war to distract voters and jack up his poll numbers before the vote. The following year Primary Colors combined laughs and pathos as John Travolta played a fictional version of Bill Clinton during his first campaign. More recently, the plots have become a bit unlikely.
     In Head of State, Chris Rock became an “everyman” candidate who was supposed to lose but defied expectations. He won by telling the truth (with jokes), echoing the title of Al Frankin’s satirical book. Playing a talk show host, Robin Williams also used comedy to win an election in Man of the Year, a less successful Levinson project. This time the joke was on the voters: Williams’ victory was the result of a computer glitch.
      But these projects just scratched the surface. As any political junky knows, campaigns are high drama, filled with the possibility of betrayal, murder, even war. Gore Vidal launched the genre with The Best Man, a 1964 film (based on his play) in which a principled (pre-Sergio Leone) Henry Fonda had to decide whether to go negative during a brokered convention in order to prevent an unscrupulous Cliff Robertson from winning the nomination. Most people got that they were playing fictional versions of Adlai Stevenson and Jack Kennedy.
     Times – and movies – have changed. Since more people get their opinions today from TV shows and cinema than newspapers and talking heads, we deserve films that rip their stories from the headlines. To fill that niche, during the 2000 presidential race Maverick made a development deal with FantasyWorks to develop the next political-action franchise. The way we pitched it, a presidential blockbuster is less costly, more entertaining and certainly less damaging than the real thing. Everybody wins.
     The title, Momentum, telegraphed out-of-control energy – and also what makes the difference in most campaigns.
     In Momentum I, released overseas on video late in 2000, an unscrupulous governor (Michael Douglas) used a phony assassination attempt to secure the nomination. Some reviews called it Extreme Gekko. He faced a former basketball player (Kevin Costner) and a wrestler-turned-talk-show-host (Arnold Schwartzenegger) running as an independent. The solution was to use Islamic fundamentalists (led by John Malkovich) to take out Arnold on TV -- in exchange for Afghanistan. When the plot failed, Arnold hunted down Michael (plenty of Act 3 action) and Kevin became president.
      The tag line for the ad campaign said it all: “Momentum. Some people will do anything for it." Foreign sales went well, but it never got the expected platform release. Distributor negotiations stalled. Since then the film has been re-edited three times, the latest version for release in 3-D.
(unreleased 2008 poster)
     In Momentum II, which is set for release this summer, we move ahead many years. Now a former candidate’s daughter is on the road to the White House -- after her dad lost the presidency 20 years before due to a scandal. (I can't reveal what.) Her chief opponents are a war hero and a charismatic billionaire with a youthful following. The popularity of the incumbent President is so low that one of these three is likely be the next president.
FantasyWorks Gets a Dream Cast
    As Christine Norris Nichols, a driven Congresswoman haunted by the need to settle old scores, you could hardly do better than Michelle Pfeiffer, still a potential box office draw and due for a Meryl Streep moment. After the scandal Christine's mother and father broke up, and later her playboy husband died in a mysterious plane crash. Now her main relationship is with her dad, Ted Nichols. 
     A well-connected lawyer and popular public speaker, Nichols often shows up on TV chat shows. In an early scene Gene Hackman, who nails it as a cynical yet charming old fixer, gets well-deserved applause tearing into a Sean Hannity clone.
     But the path to the nomination is not clear. The film opens with military action as retired General Frederick Oxhart (friends call him Fox) orchestrates the dramatic rescue of POWs held in Iran after an abortive attempt to bomb a suspected nuclear installation. That’s one way to get momentum.
     Laurence Fishburne, who first appeared on screen in Apocalypse Now and achieved icon status in the Matrix trilogy, delivers the goods as a career soldier with principles, personal demons and an iron will. FantasyWorks also considered Samuel Jackson. Personally, I'm happy to see Fishburne on the big screen again.
    The wild card in the race is Nathan B. Crane, who would be the youngest president in US history if he won. Crane recently rocked the media world with the launch of a 3D television network over the Internet. Inspiring and charismatic, he’s practically a rock star.
    Armie Hammer nails the role of an overconfident entrepreneur – a better looking Donald Trump – with money to burn. Early on, Ben Affleck was cast, and Matt Damon and Brad Pitt considered it. But the development phase went on so long that they had all aged too much. After J. Edgar, Hammer is ready for a break-out role.
Act One Begins
     During a brutal primary season, with the prospect of a brokered convention looming ahead, rumors fly about Fishburne’s alleged connection with a private military company that has received diamond concessions in exchange for backing a fundamentalist rebellion in Africa. It’s not true, but Armie exploits the controversy to press his change agenda, arguing that both of his opponents represent an obsolete politics.
     The momentum is shifting. But Hackman is really behind the smear. He is determined to gain access to the White House for himself and secret Chinese backers.
     Cut to: On the way to a campaign event, Michelle’s plane almost crashes. The mishap totally dominates cable news, drawing attention to her husband’s death and giving her a sympathy bump. When Internet rumors begin to circulate that her hubby was returning from a secret tryst when he died, the role of victim triumphing over adversity revives her flagging campaign. Shades of Hillary’s travails and the Kennedy curse. 
     Now Michelle has the “big Mo”...
Find out more: 
Momentum II highlights (and a casting call) 
ORIGINALLY DEVELOPED: 2008/FW/MM 2012
AUTHOR: EUGENE MICHAEL SCRIBNER

Sunday, February 19, 2012

Burlington Beat: Countdown to Town Meeting

Recent Stories from VTDigger.org

Campaign Notebook: 
Kurt Wright's cross-party alliance takes shape
    Feb. 12: While Democrat Miro Weinberger added Gov. Peter Shumlin to his growing list of prominent Democratic endorsers in the race for Burlington mayor, Kurt Wright provided a deeper look at the unusual political alliance he is creating, and identified some players in a possible City Hall team. Continue reading

The City Council at work: from left, Joan Shannon, Kurt Wright (white shirt), Bill Keogh, Ed Adrian, Paul Decelles, Bram Kranichfeld, David Hartnett, Bob Kiss,
Emma Mulvaney-Stanak, and CCTV.

Sanders, Searles push transportation plan 
with $408 million for Vermont
    Feb. 14: A national transportation group report ranks Vermont's rural roads as the worst in the nation, and that's unlikely to change unless the U.S. Senate's version of a pending transportation bill prevails. If it doesn't, the state will have to cut $160 million from transportation spending over the next five years, Vermont Transportation Secretary Brian Searles said. Continue reading

More live TV coming to public access; 
Burlington Telecom to add new channel
    Feb. 16: Channel 17 has signed a new contract with Comcast Cable, and is stepping up its live coverage. Lauren-Glenn Davitian, executive director of the public access channel which serves Chittenden County, made the announcement in a report to the Burlington City Council. Continue reading

City Council grapples with student housing and UVM relations
    Feb. 16: The Burlington City Council took on nagging quality of life issues in the Queen City Monday night. Council members heard conflicting and sometimes angry reactions from Burlington residents and landlords to proposed new occupancy limits aimed at student housing. Ultimately, they rejected the ordinance change. But they passed a resolution with recommendations for a renewed agreement with the University of Vermont that covers housing and other town-gown relationships. Continue reading

Tuesday, February 7, 2012

The Power of NO: Thoughts on a Road Not Taken

Remarks by Greg Guma for a February 8, 2012 talk, Billings North Lounge, University of Vermont, Burlington, 7:30 p.m..

Join Frank Bryan, Bruce S. Post and myself in discussing The Road Not Taken: The Green Mountain Parkway Decision as a 'Tipping Point' in the History of Northern New England.” 

Bryan, the main speaker, is the John G. McCullough Professor of Political Science at UVM. He will present findings related to his study of Vermont's rejection (by a popular referendum) of a New Deal proposal to build a "skyline drive-like" highway along the Green Mountains from Massachusetts to Canada.  The seminar is presented as part of a series sponsored by the Center for Research on Vermont. I’ll join Post, former Director of Planning for the late Vermont Governor Richard A. Snelling, in providing commentary, context, and lessons that apply to current issues of development and wilderness.

Here are some of my thoughts on the Parkway and its defeat:

As a journalist and story teller I am interested in much more than facts and events. I’m looking for underlying themes, dynamic tensions, the motivations of key figures in the drama, and the overall context of the story. In this case, like many people, I had heard just hints about some fight over a huge road during the Depression, and that it was ultimately rejected.  It was a comforting but ambiguous nugget of information.

But when Nora Jacobson began working on The Vermont Movie, Robin Lloyd and I decided to revisit the Parkway fight, find out what happened, and attempt to dramatize it for the film. The trick would be to tell a complex story in five to ten minutes. My approach was to capture the times through a series of recreations, almost like a 1930s newsreel.

The research brought me to James Paddock Taylor, an ideal figure to represent the forces behind the road, Director of the Vermont Chamber of Commerce at the time, but more important also a founder of the Green Mountain Club, a strong believer in outdoor activity, in both physical and spiritual development. Yet Taylor saw the Green Mountains themselves as, in some respects, a barrier to needed change.

Twenty years before pushing the parkway, at a talk in Boston, he described Vermont’s mountains as both a blessing and a hindrance. “They have fostered local conservatism and narrowness of interest,” he said, as well as “an excess of individuality.”

Here was someone who saw himself and his projects as progressive, an optimist who wanted to create a more connected, less insular society. He viewed development on Vermont’s mountains as a way to open the minds of his fellow residents, basically to introduce the state to the modern world. For Taylor the Green Mountain Parkway was a progressive initiative that would spur the improvement and beautification of others roads and, more profoundly, encourage a “new state of mind,” what he called a modern and national outlook.

Progressive Visions

It’s fascinating to explore the evolving concept of progressiveness in Vermont. There had already been a Progressive era, which became influential in Burlington during the time of Mayor James Burke. There would be others – in the 1960s during the Hoff adminstration, and more recently, with Bernie Sanders and a Progressive Party. Each has had a distinct image, program and approach.

Taylor was trying to use the landscape as a tool to promote a popular 20th century vision of progress. He often tooled around the state in a Ford, calling it his “chariot of freedom.” Before showing why the Parkway didn’t happen on film, I felt that we needed to illustrate why many smart and influential people thought it was a positive and progressive idea. Thus, the first scene we developed has Taylor trying to sell his vision to a sympathetic Burlington Free Press reporter as they fly over the state. 

When the reporter mentions that many folks don’t like the idea of the feds taking over 50,000 acres, Taylor snaps, “That’s just ignorant. What do they want, to stay isolated, separate?”

“Some people do,” says the reporter. “Or they’re for keeping the wilderness. Or, say we oughta be spending on roads and bridges.” It was more than five years after the 1927 flood and many roads still weren’t repaired. In the scene the reporter also mentions federal control and the idea of a national park cutting the state in half.

“Then explain it to them, son,” Taylor snaps. “This isn’t about spoiling anything, or some national take over. It’s about optimism, a modern state of mind. Getting out of the mountain mindset …and joining the world.” There it was: an aggressively progressive, but ultimately misguided vision, and hubris, a common problem among leaders.

Fighting Words

As a journalist, I was also interested in the role of the media. The Burlington Free Press actively promoted the Parkway. In March 1935, a year before the referendum, a Free Press editorial said saucily, “If our Washington Santa Claus wants to send us up ten millions to build a road over the side of our old Green Mountains, let’s graciously accept it and put the boys to work.”

Almost reflexively, The Rutland Herald, which already opposed Roosevelt’s New Deal, became a leading voice of opposition. Parkways supporters saw the newspaper as a vehicle for propaganda and disinformation. I went through the Herald archives and found two things – intense coverage and a clear editorial decision to provide a platform for opponents. In other words, the paper legitimized a critique of the progressive vision that was being promoted by the state’s political establishment.

We found articles with headlines like UNSPOILED VERMONT… GASH ON THE MOUNTAINSIDE… ELIMINATION OF THE WOODLANDS… TOLL GATES AT EVERY CROSSROAD… and PROCTOR FEARS PARKWAY WOULD STRANGLE BUSINESS. The last was a detailed critique by Mortimer Proctor, with sections on the charm of wilderness areas, state sovereignty and the danger of centralized government.

Here are a few statements that appeared in the Herald at the time:

“The parkway would take tourists out of the valleys, where we can sell things to them, into the hills, where we can’t…”--1935 editorial

“Vermont cannot afford to borrow half a million dollars or more…”

“A wilderness area now rich in game will be spoiled for hikes, sportsmen, horseback riders…”
“The State will be split in half, into East Vermont and West Vermont, with a wide strip of U.S. territory in the middle…”

Basically, a business-oriented vision of progress was running into what was, in some respects, a conservative, some even verging on isolationist backlash. For the film, we tried to dramatize these complex dynamics by creating archetypal constituents – a farmer, a naturalist, a merchant – and having a reporter solicit their views. 

Seeking the Larger Context

Almost 80 years after the fact, the Parkway’s defeat in a Town Meeting day referendum still feels important and, I believe, can resonate for anyone struggling against federal or state overreach.  When you have worked on long-shot activist campaigns, a success like this one – which can reasonably be interpreted as a “people’s victory” over centralized authority – is quite inspiring. It feels like a righteous battle between state power vs. people power, a defiant and successful revolt against conventional thinking. 

The view does change somewhat when you look at what else was happening in Vermont at the time. Beyond the media dynamics, there was the Great Depression, high unemployment and industrial cutbacks. New Deal programs were attempting to prime the pump with public investments. But in Vermont there was considerable resistance to Roosevelt and his policies.

There were also major strikes – most notably the Granite Workers in 1933 and the Vermont Marble strike in the fall of 1935, the same period that the Green Mountain Parkway was being hotly debated.  In November, the Herald did some red-baiting, saying that “communist influence” might be to blame for the Marble strike. On Thanksgiving a thousand strikers, with their families, marched through downtown Proctor in the rain. In December they were clashing with hired thugs.

A year later, a bill outlawing sit-down strikes passed in the legislature. Vermont was the first state to do this. George Aiken, who ran for governor against the New Deal in 1936, signed it in April 1937, although he wasn’t happy and worked to mend fences with labor over time.

In the midst of this deeply polarized period, after three years of establishment Parkway promotion and heated debate, the legislature finally took up the Green Mountain Parkway Act on December 14, 1935. The idea was to give the National Park Service jurisdiction over the land and appropriate the matching funds.  Supporters pointed to 12,000 men on relief. They said that allocating $500,000 in state money to get $18 million in federal funds was a pretty great deal.  They accused Parkway opponents of attempting to confuse people.

One legislator put it this way: “They say the land used will become alien territory. Now, that’s a red herring if ever I saw one. You know, the opposition is acting like a good criminal lawyer. And you know what they do: trot out fake issues to keep the jury’s attention off the main point.”

Opponents argued that the Parkway would lead to higher taxes or more debt, and called it a dangerous pipe dream that would never be completed.  One lawmaker made his case by arguing that Vermonters have always been essentially conservative and fiercely independent. “So I ask you,” he said, “why shouldn’t this be the Vermont of today? The people of Vermont are sending out an SOS. Heed it, I beg you, and let the people decide.”

In the end, the Parkway was referred back to local communities for a March 3, 1936 referendum.  The decision was both a way of passing off a hot political potato and a necessary deferral to local sentiment.  Considering Vermont’s participatory democratic traditions, you might wonder why this hasn’t happened more often.

Officially, the choice offered to voters was between two start dates – immediately or five years in the future. But most people understood that it was really now or probably never. Majorities in northern counties – Chittenden, Franklin, Grand Isle, Lamoille, Washington – like the idea. But statewide the vote was 43,176, those who preferred to think about it later – or not at all – to 31,101 who wanted to move ahead fast.

The opposition had successfully appealed to core values like independence, resistance to outside control, frugality and distrust. Taylor felt the outcome also pointed to a “mysterious psychology” that was limiting the state. In his view, people who opposed the Parkway opposed progress itself.  They wanted to remain “different.” He saw this as a long-term disadvantage and was determined to make Vermont more like the rest of the country.

At the core of the opposition was suspicion of government, along with concern about state’s rights. People weren’t talking directly about the environmental impacts. But they did say that the road “just didn’t fit,” that such an enormous project would turn the ridgeline into alien territory. “It’s like asking for a scar, saying we want to cut up this beautiful place,” one person told the newspaper.

For many it was about scale. The Parkway was just too damn big.

History Lost and Found

Was the decision enlightened or selfish, provincial or progressive, conservative or radical? The dynamics remains difficult to categorize to this day.

For me, it is a reminder – that categories like progressive and conservative can be inadequate and even distracting at time. And also that even when such a project is unpopular and ill-conceived, it can be hard to kill. It reminds me of the Connector road proposed from the Interstate to downtown in Burlington – still being discussed after more than 40 years. They also call that a Parkway, a pleasant image for a road, better than a highway or even a freeway.  

The National Park Service was still recommending the Green Mountain Parkway as part of an Appalachian Parkway system in 1960. That’s the power of obsolete thinking, a relentless force behind many bad decisions.

A final thought. People ask why such an iconic incident isn’t more widely known and celebrated?  First of all, it was embarrassing to the political establishment. The editors at the Free Press certainly didn’t have any motivation to spread the word, and as the years passed, Taylor’s type of progressiveness gained considerable traction.

History is written by the winners, as they say, and the Parkway story – so inspiring to many people now – was a defeat for the powers-that-were. Why would they recount a story that promotes the dangerous idea that if you don’t like some mega-project you can organize effectively to stop it?

When I moved to Vermont in 1968 and began writing for the Bennington Banner, I would occasionally approach Vermont Life, the state’s house organ, with a story idea. What about a feature on all the newcomers to the state, or on the communes being formed? The pictures could be great. The answer was usually blunt: This isn’t the image we want to project.

These days, given the considerable state pride about how Vermont differs from other places – and sometimes takes the lead – state government and contemporary media tend to downplay the type of conservative, almost isolationist thinking that played a considerable role in the Parkway debate and has influenced other aspects of Vermont history. 

Today Vermont would be unlikely to reject federal assistance, especially during an economic crisis – the type of Tea Party, anti-government attitude that led Florida to reject stimulus funds. In contrast, one of the top Vermont stories last year was how quickly Vermont bounced back from Hurricane Irene and subsequent flooding, an success made possible by federal aid and active cooperation between all levels of government.

Inspiring stories, especially those that don’t fit into a convenient political narrative, are often winnowed out of the “official” story. If we’re not paying close attention, we can lose important parts of our history – even in a digital age. 

But the only thing guaranteed is change, and changing conditions – in our time struggles over federal authority, health care, Vermont Yankee and other state-federal conflicts -- along with the work of essential thinkers like Frank Bryan, can help us to reclaim and better understand our past.